
スカーフリング
A ring for holding a carré or Twilly; many motifs (harness, H, animals); discontinued ones are sought after.
Source:Wikipedia (Hermès) ↗- Category
- Scarf accessory (small leather/metal goods)
- French name
- Anneau de foulard
- Primary materials
- Metal (permabrass-type brass alloy, gold-plated); some with enamel (émail) or leather
- Notable models
- Chaîne d'Ancre, Régate, Trio, Bolduc, Cord'H, and others
- Approximate size
- Inner diameter roughly 15–20mm, varying by model (figures vary)
- Designed for
- For threading Carré 90/70, Twilly, pochettes, etc.
- Introduced
- Developed alongside scarf culture after the Carré debut (1937); exact first release uncertain
- Made in
- France (as stated by retailers)
- Typical markings
- "HERMÈS", "Made in France", etc.; placement and presence vary by model/era
- Main uses
- Neck knot, belt, ring, bracelet, hair accessory, bag charm
- Price guidance
- Varies by model/condition/material; estimates only, not a guaranteed market price
- On authenticity
- All notes are guidance only; authenticity is not guaranteed—consult a specialist
Price trend
Estimate only — not a guarantee—
Related videos
In depth
What a scarf ring is
A scarf ring (French: anneau de foulard) is a small Hermès accessory through which a scarf—such as a Carré or Twilly—is threaded and held, shaping the fabric without a knot. Slipping the silk through the ring stabilizes the wrap and tames the slipperiness of silk for a cleaner drape. Most are made of metal (a plated brass-type alloy), while some incorporate enamel (émail) or leather. With a wide range of motifs, they are collected as much as they are worn.
Original schematic illustration — not a photo of the actual item.
History and background
Hermès's silk Carré scarf debuted in 1937, roughly a century after the house was founded. Scarf rings are generally said to have developed later, evolving alongside scarf culture, and the exact year of their first release is uncertain. Because Hermès began as a harness and saddlery workshop, many rings echo chains and fasteners drawn from that heritage. While many brands make scarves, few develop rings as extensively—an area that shows the house's characteristic playfulness.
Notable models
Staples include the Chaîne d'Ancre, modeled on Hermès's emblematic anchor chain; the Régate, a plain ring encircled by a chain motif; the Trio, three stacked loops; the Bolduc, a square ring named after the French word for decorative ribbon; and the Cord'H (cordage), resembling bundled rope. There are also more decorative variants—designs cut into an "H," enamel-colored pieces, and motifs referencing places such as Kyoto. Even within one name, finishes vary (gold plate, steel, rose-gold tone), producing several derivatives across eras.
Materials, color and finish
The core material is metal; recent new pieces are described as a brass-type alloy ("permabrass") with gold- or rose-gold-tone plating. Beyond this, there are vivid enamel (émail) versions, as well as pieces combined with horn or leather. Enamel's kiln-fired color is prized for harmonizing with a scarf's palette. Because the metal tone (gold, silver, rose-gold) and any enamel color steer how a scarf reads, they are key considerations when choosing one.
Original schematic illustration — not a photo of the actual item.
Original schematic illustration — not a photo of the actual item.
Size and dimensions
Scarf rings are generally offered in a single size and usually lack a bag-style PM/GM system, yet the inner diameter and overall scale differ by model. Some new-stock listings cite a diameter around 20mm and a height of about 25mm, but this is only one example and varies with the design. Since usability changes depending on whether you thread several layers (a thick Carré) or a single Twilly, it helps to choose based on the thickness of the scarves you own. Dimensions vary across sources, so treat these as approximate references.
Markings and dating
Hermès metal hardware and small goods commonly carry markings such as "HERMÈS" or "Made in France," but the placement, typeface, and presence vary by model and production era. Because this differs from the alphabetical date stamps found on bag leather, pinpointing a precise production year from a scarf ring alone is difficult. Markings are only one reference point and cannot, by themselves, establish age or authenticity. Final judgment is best left to a specialist.
General guide; marks vary by era and piece, and do not by themselves prove authenticity.
Inspection and condition points
When buying pre-owned, it is customary to check for plating wear, dullness and fine scratches, chips or cracks in enamel, looseness in moving parts (such as chains), and worn markings. Metal tends to dull over time, and enamel can chip if struck against hard surfaces. Note that the inspection and condition guidance here is general reference only and does not guarantee authenticity. For any piece you are unsure about, we recommend consulting a trusted specialist before purchase—final judgment should rest with an expert.
- ✓Enamel chips / cracks — Check the enamel for chips, cracks, or fading, which can appear with age.
- ✓Plating wear / tarnish — Assess plating wear and discoloration on silver/gold surfaces as a condition guide.
- ✓Maker marking — Presence/placement of markings is reference only and does not guarantee authenticity.
- ✓Smoothness of inner edge — Burrs or roughness can snag silk; feel the inner edge.
- ✓Distortion / bending — Check for any bending or deformation of the ring.
- ✓Box / accessories — Original box and pouch are useful condition references.
Reference points only — not a guarantee of authenticity; consult a specialist.
Pricing and how to choose
Prices vary by model, material (metal vs. enamel), condition, and popularity. Staples like the Chaîne d'Ancre, along with rare enamel colors or discontinued motifs, tend to draw attention on the secondhand market—but everything here is an estimate only and does not guarantee any transaction price (nor is it investment advice). To choose well, consider whether the metal or enamel color suits your scarves, whether it fits the number and thickness of layers you want to thread, and whether it suits your intended use (neck, belt, hair, and so on).
Styling and ways to use
Beyond fastening at the neck, a scarf ring is versatile: fold a scarf into a long band and thread both ends through the ring to use it as a belt; slip it onto a finger as a ring-style accent; or wear it at the wrist as a bracelet. Using it as a hairband, a ponytail ornament, or on a bag handle or as a charm is also popular. For a secure hold, guides suggest folding the scarf narrow and firmly before threading and matching the layer thickness to the ring's diameter. The appeal is how dramatically a single ring can change the look of a wrap.
Original schematic illustration — not a photo of the actual item.
Care and storage
Metal pieces dull easily from oils and perspiration, so a gentle wipe with a soft cloth after use helps preserve the shine. Avoid harsh abrasives, which can strip plating, and store enamel pieces separately since impact against hard surfaces can chip them. Because humidity promotes tarnish, keep them in a dry place wrapped in cloth or in an individual case. As rubbing hard against silk can scratch the metal or snag the scarf, it is wise to store rings and scarves apart.
General guidance; follow professional advice for valuable pieces.
Trivia and notes
Scarf-ring motifs repeatedly draw on the chains and fasteners of Hermès's equestrian roots. Chief among them is the anchor-chain Chaîne d'Ancre, a signature motif that also appears on bag hardware and jewelry and remains popular as a scarf ring. With their varied motifs and relatively accessible price range, they are often collected as an entry point into Hermès. Details of era, origin, and dimensions vary across sources, so please treat this entry as an educational reference.
More diagrams
- 1Ring body — The loop the scarf passes through; shape varies by motif (round, rectangular, etc.).
- 2Motif face — The decorative front bearing a motif such as Chaine d'Ancre or Mors.
- 3Enamel inlay — The colored enamel section, on enamel versions.
- 4Opening / aperture — The aperture through which scarf ends are threaded to gather a carré or twilly.
- 5Inner edge — Inner rim contacting the silk; smoothness affects handling.
Original schematic illustration — not a photo of the actual item.
Listings for this model
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